Blackmagic Design URSA Mini Pro 4.6K Digital Cinema Camera

5995
  • Filmtools #: 62119
  • Mfr #: BMD-CINEURSAMUPRO46K
In Stock
Product Features
  • 4.6K Super-35mm CMOS Sensor
  • 4608 x 2592 Video up to 60p
  • Dual CFast 2.0 and SD Memory Card Slots
  • 12G-SDI Output, Timecode and REF Input
  • 2 XLR Audio Inputs with Phantom Power
  • CinemaDNG and ProRes 444 & 422 Recording
  • Full Set of External Controls
  • 2/4/6-Stop ND Filter Wheel
  • Interchangeable Lens Mounts
  • Magnesium Alloy Body

Availability: In stock

You Pay: $5,995.00
Have a Question?

Call us at 1.888.807.1900

  • Overview

    The Blackmagic Design URSA Mini Pro 4.6K Digital Cinema Camera functions as “three cameras in one” because it combines high end digital film quality with the ergonomics and features broadcasters need. The Mini Pro combines the incredible image quality of URSA Mini 4.6K with the features of a traditional broadcast camera. IT is ideal for any kind of work from high end feature films, television shows and commercials, to independent films, broadcast news, and even studio and live production!

    URSA Mini Pro features beyond Ultra HD 4.6K resolution plus 15 stops of dynamic range, all with a super wide color gamut and DaVinci color science so you always capture cinematic quality images. The super compact body features broadcast camera ergonomics and advanced operating software that make it faster to set up and use than any other camera! Whether you’re on set, on location or shooting run and gun, URSA Mini Pro has the image quality and features you need to work on any type of project!

    Pro Features
    Built-In ND Filters
    The URSA Mini Pro features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The clear, 2, 4, and 6 stop filters have been specifically designed to match the color science of the URSA Mini Pro in order to maintain consistent image quality with minimal color shift. The ND filters conveniently let you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. Additionally, the internal IR filters have been designed to filter both optical and infrared wavelengths evenly to eliminate IR contamination of the images that can be brought about by standard ND filter. A precision mechanism holds the filters and quickly moves them into place when the ND filter dial is turned. Furthermore, the current filter settings can be displayed as an ND number, stop reduction, or fraction on the LCD.

    External Control Section
    Using a design inspired by classic broadcast cameras, the URSA Mini Pro features a wide array of tactile physical controls with direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember, so you'll be able to adjust camera settings, apply ND filters, and change frame rate without having to look at the buttons, dive into on-screen menus or take the camera off of your shoulder.

    User-Interchangeable Lens Mounts
    By default the URSA Mini Pro includes an interchangeable EF mount. But, if you want to use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. Having an interchangeable lens mount allows the URSA Mini Pro to be used in nearly any kind of workflow, from documentary, to ENG or EFP, and cinema. For ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilized.

    External LCD Status Display
    The status display is a high visibility black-and-white LCD screen that's designed to be easily seen, even in bright light. The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you're shooting in dimly lit locations, and off when you're shooting outdoors and in bright light to increase contrast, making it easy to read under nearly any shooting condition.

    Advanced Image Processing
    Third generation Blackmagic Design color science is used to process the raw sensor data, enabling rich skin tones, natural color response, and a wide dynamic range. The full color gamut recorded by the URSA Mini Pro extends beyond Rec. 2020 and DCI P3, allowing the recorded images to fit into professional workflows from TV Rec. 709 to modern wide-gamut standards.

    CFast 2.0 and SD Media Support
    Two of each CFast 2.0 and SD slots are available for recording media. High-end workflows that require 4K or 4.6K raw recording and high-frame-rate shooting will take full advantage of the high-bandwidth CFast 2.0 cards. Raw HD and 4K ProRes material can be recorded onto convenient and relatively inexpensive SD cards compatible with the UHS-II standard. Since two of each slot is available, you can keep recording, regardless of format choice.

    General Features
    Compact Handheld Design
    Sizing down the original URSA shape enables the URSA Mini Pro to fit into feature film, indie film, TV, commercial, documentary, and music video workflows with crews of any size. Using the optional shoulder mount with a built-in quick-release plate, the URSA Mini Pro can go from handheld to shoulder to tripod in a matter of seconds. Despite its size, the URSA Mini Pro still fits essential controls and I/O for professional workflows.
    The body is made from Magnesium alloys in order to keep the URSA Mini Pro lightweight at just over 5 pounds. To make the camera more acceptable for handheld usage, a side handle is included. With the optional shoulder mount, the handle can be extended off the side of the camera to be used in a doc-style configuration.

    4.6K Super-35mm Sensor
    With an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro can capture motion pictures that have greater-than 4k resolution with a film-like 15 stops of dynamic range. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting.
    The URSA Mini Pro can record the entire sensor at up to 60 fps to fit television or other workflows which require higher frame rates. Using a smaller portion of the sensor, the URSA Mini Pro can also record slow-motion footage at up to 120 fps in 1080p resolution. When recording high frame rates, the URSA Mini Pro will conform captured footage to the set standard frame rate resulting in smooth footage that doesn't require post processing before editing.

    Touchscreen Control
    In addition to more traditional button-driven menus and the bevy of external controls, the URSA Mini Pro features a fold-out 4" capacitive touchscreen LCD monitor. Using the easily navigable touchscreen menu you can see and change all camera settings, view timecode, scopes, audio levels, and focus peaking, as well as add shot metadata with an onscreen keyboard.

    Professional Connections
    The URSA Mini features multiple connections such as 12G-SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode-in, and reference input. On the front right side of the camera the 4 pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on set monitor. The 12G-SDI output handles up to 2160p60 using a single BNC cable and also switches to 6G-SDI or HD-SDI depending on the shooting format.

    Quality Sound Recording
    With high quality built in microphones and professional audio recording features you don't have to carry around extra sound equipment. You can use the built in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug shotgun mics or wireless lavalier mics for capturing more detail. You can quickly adjust levels using the physical knobs while monitoring the audio using the onscreen audio meters and headphones.

    Multiple Power Options
    On its own, the URSA Mini Pro includes a 4-pin XLR industry standard power connector that works with 12V to 30V external power supplies. That means it's easy to use the camera with existing professional power supplies and batteries. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-Mount batteries.

    DaVinci Resolve Software Included
    Included with the camera is a DaVinci Resolve USB dongle, which contains a license to unlock the full feature-set within the software. The full version of DaVinci Resolve is compatible with Mac and Windows, and can be used for editing, color grading, media management, mastering, and delivery. DaVinci Resolve is designed to handle the 12-bit log RAW images from URSA Mini Pro so you can take advantage of URSA Mini Pro's image quality and wide dynamic range. DaVinci Resolve features advanced, multi-layer timeline editing with powerful trimming tools, along with a fully professional suite of creative grading tools.

  • Specs

    Sensor

    Size 25.34 x 14.25 mm (Super-35)
    Lens Mount Active Canon EF (interchangeable)
    Effective Resolution 4608 x 2592
    Dynamic Range 15 stops
    Shooting Resolutions

    4608 x 2592
    4608 x 1920 (4.6K 2.4:1)
    4096 x 2304 (4K 16:9)
    4096 x 2160 (4K DCI)
    3840 x 2160 (Ultra HD)
    3072 x 2560 (3K Anamorphic)
    2048 x 1152 (2K 16:9)
    2048 x 1080 (2K DCI)
    1920 x 1080

    Frame Rates 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps

    Display

    Dimensions 4" diagonal
    Screen Type  LCD capacitive touchscreen

    Recording

    Media Card Slots

    2 x CFast 2.0
    2 x SD UHS-II

    Recording Formats

    CinemaDNG Raw (Uncompressed or Lossless 3:1/4:1 Compressed):
    4608 x 2592
    4096 x 2304
    4608 x 1920
    3072 x 2560
    2048 x 1152

    Apple ProRes:
    4608 x 2592
    4608 x 1920
    4096 x 2304
    4096 x 2160
    3072 x 2560
    2048 x 1152
    2048 x 1080
    1920 x 1080

    Data Rates

    4608 x 2592:
    Uncompressed CinemaDNG Raw - 513MB/s
    CinemaDNG Raw 3:1 - 180 MB/s
    CinemaDNG Raw 4:1 - 135 MB/s

    3840 x 2160:
    Apple ProRes 444 XQ - 312.5 MB/s
    Apple ProRes 444 - 165 MB/s
    Apple ProRes 422 HQ - 110 MB/s
    Apple ProRes 422 - 73.6 MB/s
    Apple ProRes 422 LT - 51 MB/s
    Apple ProRes Proxy - 22.4 MB/s

    1920 x 1080:
    Apple ProRes 444 XQ - 62.5 MB/s
    Apple ProRes 444 - 41.25 MB/s
    Apple ProRes 422 HQ - 27.5 MB/s
    Apple ProRes 422 - 18.4 MB/s
    Apple ProRes 422 LT - 12.75 MB/s
    Apple ProRes Proxy - 5.6 MB/s

    Rates based on 30 frames per second.

    Metadata Support

    Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses.

    Automatic recording of camera settings and slate data such as project, scene number, take and special notes.

    Connections

    Input 1 x BNC, HD/3G/6G/12G-SDI
    Output 2 x BNC, HD/3G/6G/12G-SDI (clean output and monitor output)
    Reference Tri-Sync/Black Burst/Timecode
    Analog Audio Inputs 2 x XLR (mic/line/AES, phantom power output)
    Audio Output 1 x 3.5mm headphone (TRRS connection supports in-line microphone)
    Remote Control 1 x 3.5mm headphone (TRRS connection2 x 2.5mm LANC (controls record start/stop, electronic iris, and electronic focus)supports in-line microphone)
    USB 1 x 3.5mm headphone (TRRS connection2 x 2.5mm LANC (controls record start/stop, electronic iris, and electronic focus)suppo1 x USB Type C for software updatesrts in-line microphone)
    Supported Standards

    SDI Compliance: SMPTE 292M, SMPTE 424 Level B, Draft SMPTE 2081-1, Draft SMPTE 2082-1

    SDI Audio Sampling: 48 kHz and 24-bit

    General 

    Microphone 2 x Built-in cardioid microphones for stereo recording with -10dB pad and low-cut filter
    Speaker Integrated mono (enabled in playback when headphones are not used)
    System Requirements

    Mac OS X 10.11 or newer
    Windows 8.1 or newer

    Power Connectors

    Inputs:
    1 x 4-pin XLR input for external power supply or battery
    1 x 12-pin molex connector on rear battery plate

    Outputs:
    1 x 12V output using 4-pin XLR for powering external accessories such as EVF
    1 x 12V regulated output from rear molex 12-way connector

    Battery Plate Support Mounting holes for V-mount and Gold mount battery plates
    Operating Temperature 32 to 104°F / 0 to 40°C
    Storage Temperature -4 to 113°F / -20 to 45°C
    Humidiity 0 to 90% RH, non-condensing
    Dimensions 8.2 x 8 x 5.8" / 21 x 20.1 x 14.7 cm
  • In The Box
    • Blackmagic Design URSA Mini Pro 4.6K Digital Cinema Camera
    • Turret Dust Cap
    • Side Handle
    • LANC Cable
    • Power Supply
    • DaVinci Resolve Full-Version License Dongle
    • Limited 1-Year Warranty

The Blackmagic Design URSA Mini Pro 4.6K Digital Cinema Camera functions as “three cameras in one” because it combines high end digital film quality with the ergonomics and features broadcasters need. The Mini Pro combines the incredible image quality of URSA Mini 4.6K with the features of a traditional broadcast camera. IT is ideal for any kind of work from high end feature films, television shows and commercials, to independent films, broadcast news, and even studio and live production!

URSA Mini Pro features beyond Ultra HD 4.6K resolution plus 15 stops of dynamic range, all with a super wide color gamut and DaVinci color science so you always capture cinematic quality images. The super compact body features broadcast camera ergonomics and advanced operating software that make it faster to set up and use than any other camera! Whether you’re on set, on location or shooting run and gun, URSA Mini Pro has the image quality and features you need to work on any type of project!

Pro Features
Built-In ND Filters
The URSA Mini Pro features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The clear, 2, 4, and 6 stop filters have been specifically designed to match the color science of the URSA Mini Pro in order to maintain consistent image quality with minimal color shift. The ND filters conveniently let you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. Additionally, the internal IR filters have been designed to filter both optical and infrared wavelengths evenly to eliminate IR contamination of the images that can be brought about by standard ND filter. A precision mechanism holds the filters and quickly moves them into place when the ND filter dial is turned. Furthermore, the current filter settings can be displayed as an ND number, stop reduction, or fraction on the LCD.

External Control Section
Using a design inspired by classic broadcast cameras, the URSA Mini Pro features a wide array of tactile physical controls with direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember, so you'll be able to adjust camera settings, apply ND filters, and change frame rate without having to look at the buttons, dive into on-screen menus or take the camera off of your shoulder.

User-Interchangeable Lens Mounts
By default the URSA Mini Pro includes an interchangeable EF mount. But, if you want to use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. Having an interchangeable lens mount allows the URSA Mini Pro to be used in nearly any kind of workflow, from documentary, to ENG or EFP, and cinema. For ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilized.

External LCD Status Display
The status display is a high visibility black-and-white LCD screen that's designed to be easily seen, even in bright light. The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you're shooting in dimly lit locations, and off when you're shooting outdoors and in bright light to increase contrast, making it easy to read under nearly any shooting condition.

Advanced Image Processing
Third generation Blackmagic Design color science is used to process the raw sensor data, enabling rich skin tones, natural color response, and a wide dynamic range. The full color gamut recorded by the URSA Mini Pro extends beyond Rec. 2020 and DCI P3, allowing the recorded images to fit into professional workflows from TV Rec. 709 to modern wide-gamut standards.

CFast 2.0 and SD Media Support
Two of each CFast 2.0 and SD slots are available for recording media. High-end workflows that require 4K or 4.6K raw recording and high-frame-rate shooting will take full advantage of the high-bandwidth CFast 2.0 cards. Raw HD and 4K ProRes material can be recorded onto convenient and relatively inexpensive SD cards compatible with the UHS-II standard. Since two of each slot is available, you can keep recording, regardless of format choice.

General Features
Compact Handheld Design
Sizing down the original URSA shape enables the URSA Mini Pro to fit into feature film, indie film, TV, commercial, documentary, and music video workflows with crews of any size. Using the optional shoulder mount with a built-in quick-release plate, the URSA Mini Pro can go from handheld to shoulder to tripod in a matter of seconds. Despite its size, the URSA Mini Pro still fits essential controls and I/O for professional workflows.
The body is made from Magnesium alloys in order to keep the URSA Mini Pro lightweight at just over 5 pounds. To make the camera more acceptable for handheld usage, a side handle is included. With the optional shoulder mount, the handle can be extended off the side of the camera to be used in a doc-style configuration.

4.6K Super-35mm Sensor
With an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro can capture motion pictures that have greater-than 4k resolution with a film-like 15 stops of dynamic range. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting.
The URSA Mini Pro can record the entire sensor at up to 60 fps to fit television or other workflows which require higher frame rates. Using a smaller portion of the sensor, the URSA Mini Pro can also record slow-motion footage at up to 120 fps in 1080p resolution. When recording high frame rates, the URSA Mini Pro will conform captured footage to the set standard frame rate resulting in smooth footage that doesn't require post processing before editing.

Touchscreen Control
In addition to more traditional button-driven menus and the bevy of external controls, the URSA Mini Pro features a fold-out 4" capacitive touchscreen LCD monitor. Using the easily navigable touchscreen menu you can see and change all camera settings, view timecode, scopes, audio levels, and focus peaking, as well as add shot metadata with an onscreen keyboard.

Professional Connections
The URSA Mini features multiple connections such as 12G-SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode-in, and reference input. On the front right side of the camera the 4 pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on set monitor. The 12G-SDI output handles up to 2160p60 using a single BNC cable and also switches to 6G-SDI or HD-SDI depending on the shooting format.

Quality Sound Recording
With high quality built in microphones and professional audio recording features you don't have to carry around extra sound equipment. You can use the built in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug shotgun mics or wireless lavalier mics for capturing more detail. You can quickly adjust levels using the physical knobs while monitoring the audio using the onscreen audio meters and headphones.

Multiple Power Options
On its own, the URSA Mini Pro includes a 4-pin XLR industry standard power connector that works with 12V to 30V external power supplies. That means it's easy to use the camera with existing professional power supplies and batteries. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-Mount batteries.

DaVinci Resolve Software Included
Included with the camera is a DaVinci Resolve USB dongle, which contains a license to unlock the full feature-set within the software. The full version of DaVinci Resolve is compatible with Mac and Windows, and can be used for editing, color grading, media management, mastering, and delivery. DaVinci Resolve is designed to handle the 12-bit log RAW images from URSA Mini Pro so you can take advantage of URSA Mini Pro's image quality and wide dynamic range. DaVinci Resolve features advanced, multi-layer timeline editing with powerful trimming tools, along with a fully professional suite of creative grading tools.