Rotolight Anova Pro BI-S Bi-Color LED Light

1598
  • Filmtools #: 53355
  • Mfr #: RL-ANVPRO-BI-S
In Stock
Product Features
  • Bi-Color LED Light
  • 3150 - 6300K Color Range
  • 50 Degree Beam Angle
  • AccuColour Technology
  • CRI: 96
  • CINESFX Effects
  • True Aperture Dimming
  • Designer Fade
  • Optional Barndoors

Availability: In stock

You Pay: $1,598.00
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Call us at 1.888.807.1900

  • Overview

    The Rotolight Anova Pro BI-S Bi-Color LED Light is a powerful Bi-Color LED fixture that boasts a 2,770 lumen output with a color temperature range of 3150 - 6300K. The light has increased color accuracy with the color phosphor techonology called AccuColor resulting in an impressive color rendering of > 96 and an exceptional skin tone RA15 rating of > 99. The Anova Pro features a 50 degree beam angle and hosts a bevy of unique features that provide effects such as Strobe, Fire, Cucle, Throb, Police, TV, Spin, Weld, Film, Neon, Funshot, Spark, and Lighting.

    True Aperture Dimming calculates and displays the correct aperture (f-stop) for your subject at a given distance, facilitating your workflow by eliminating the need for metering. Alternatively, you can set your brightness level manually for your preferred aperture. Designer Fade mode provides custom fade up / fade down interview or production effects for DSLR videographers and creative cinematographers, reducing the time required in post-production. The Anova Pro is powered by its universal AC adapter or by optional V-Mount batteries when mains power is unavailable.

    CINESFX
    Provides a powerful arsenal of customizable lighting FX (CineSFX) for television / production / feature film application on set or location (Strobe, Lightning, Fire, Cycle, Throb, Police, TV, Spin, Weld, Spark, Film, Neon and Gunshot). CINESFX eliminates the need for legacy 'flicker box' workflows, saving significant time and cost to achieve powerful lighting FX.

    Flash Sync
    Flash Sync and remote triggering allows Anova Pro to be integrated into a traditional photography workflow, whilst providing a hyper-accurate modeling light, along with control of flash power/duration color temperature and offset, combining the advantages the best of both legacy strobe technology and continuous "shoot what you see light output."

    True Aperture Dimming
    Calculates and displays the correct aperture (f-stop) for your subject at a given distance, facilitating your workflow by eliminating the need for metering. Alternatively, dynamically adjust your brightness level, to work at your desired aperture.

    Designer Fade
    This mode provides custom fade up / fade down interview/ production effects for DSLR videographers and creative cinematographers, reducing time required in post production.

  • Specs
    Color Range 3150 - 6300K
    CRI

    CRI: >96
    Skin tone R15 CRI: 99
    TLCI: 91

    Beam Angle 50 Degrees
    Dimming Yes
    Ports

    1 x 5-Pin DMX Input
    1 x 5-Pin DMX Output
    1 x RJ45 Program Input
    1 x Flash Sync and Trigger Input
    1 x USB Type-B Port

    Battery Plate V-Mount
    Operating Voltage

    110 - 240 VAC
    15 VDC

    Power Consumption 48 W @ 100% output
    Mount TVMP 5/8" (16 mm) stand mount or M8 via utility block
    Photometrics

    540 fc / 5,811 lux @ 3.0' (0.9 m), 2,770 lumens
    158 fc / 1,700 lux @ 6.0' (1.8 m), 3,242 lumens
    79 fc / 850 lux @ 9.0' (2.7 m), 3,648 lumens

    Dimensions 17.3 x 19.4 x 4.2" (44 x 49.3 x 10.7 cm)
    Weight

    5.45 lb (2.47 kg) Without yoke
    7.36 lb (3.34 kg) With yoke

  • In The Box
    • Rotolight Anova Pro BI-S Bi-Color LED Light
    • AC Adapter
    • User Manual
    • Green (1/2) Filter
    • Green (1/4) Filter
    • Green (1/8) Filter
    • Full (1.5 Stop) Diffusion Filter
    • 3/4 Diffusion (0.5 Stop)
    • Cosmetic Peach (1 Stop) Filter
    • Limited 1-Year Warranty

The Rotolight Anova Pro BI-S Bi-Color LED Light is a powerful Bi-Color LED fixture that boasts a 2,770 lumen output with a color temperature range of 3150 - 6300K. The light has increased color accuracy with the color phosphor techonology called AccuColor resulting in an impressive color rendering of > 96 and an exceptional skin tone RA15 rating of > 99. The Anova Pro features a 50 degree beam angle and hosts a bevy of unique features that provide effects such as Strobe, Fire, Cucle, Throb, Police, TV, Spin, Weld, Film, Neon, Funshot, Spark, and Lighting.

True Aperture Dimming calculates and displays the correct aperture (f-stop) for your subject at a given distance, facilitating your workflow by eliminating the need for metering. Alternatively, you can set your brightness level manually for your preferred aperture. Designer Fade mode provides custom fade up / fade down interview or production effects for DSLR videographers and creative cinematographers, reducing the time required in post-production. The Anova Pro is powered by its universal AC adapter or by optional V-Mount batteries when mains power is unavailable.

CINESFX
Provides a powerful arsenal of customizable lighting FX (CineSFX) for television / production / feature film application on set or location (Strobe, Lightning, Fire, Cycle, Throb, Police, TV, Spin, Weld, Spark, Film, Neon and Gunshot). CINESFX eliminates the need for legacy 'flicker box' workflows, saving significant time and cost to achieve powerful lighting FX.

Flash Sync
Flash Sync and remote triggering allows Anova Pro to be integrated into a traditional photography workflow, whilst providing a hyper-accurate modeling light, along with control of flash power/duration color temperature and offset, combining the advantages the best of both legacy strobe technology and continuous "shoot what you see light output."

True Aperture Dimming
Calculates and displays the correct aperture (f-stop) for your subject at a given distance, facilitating your workflow by eliminating the need for metering. Alternatively, dynamically adjust your brightness level, to work at your desired aperture.

Designer Fade
This mode provides custom fade up / fade down interview/ production effects for DSLR videographers and creative cinematographers, reducing time required in post production.