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SKU
132579
MPN
5077C017

Canon EOS R5 C VR Creator Kit with RF 5.2mm f/2.8 Dual Fisheye Lens

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  • EOS R5 C Mirrorless Cinema Camera
  • Supports 8K60 Internal Raw Recording
  • RF 5.2mm f/2.8 L Dual Fisheye 3D VR Lens
  • Stereoscopic 3D 180° VR Capture

The Canon EOS R5 C VR Creator Kit with RF 5.2mm f/2.8 Dual Fisheye Lens 

 

Ready for Anything

For all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the EOS R5 C Mirrorless Cinema Camera from Canon. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design.

 

The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. The EOS R5 C is also moisture and dustproof to the same level as its cinema cousin, the EOS C70. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera.

Common Features & Technology as the EOS R5

Canon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting.

  • Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps
  • Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects
  • With 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF
  • For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles
  • Connectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images

Video Control for the Dedicated Video Professional

As soon as the EOS R5 C's main switch is moved to the "video" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During "photo" operation, menus are nearly the same as they are on the EOS R5 camera.

Ergonomic EOS Design

The EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.

CMOS Sensor and DIGIC X Processor

The 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full color rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of livestreams, broadcasts, and post-production projects.

8K60 RAW Recording

Cinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K. The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.

Note:

Only Atomos NINJA V+ is supported as of January 2022. A separate HDMI cable is required to connect to the NINJA V+.

Different File Formats and Simultaneous Recording

Along with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC as well as the highly versatile MP4. The EOS R5 C camera is also capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows.

Internal Cooling Fan Enables Nonstop 8K60 Recording

The EOS R5 C camera features a cooling fan built into the body, forcing out the heat from inside, enabling continuous and virtually limitless shooting of high-definition 8K60 video without interruption.

Expanded Interface for Professional Needs

The EOS R5 C camera provides a timecode input/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.

Multi-Function Shoe for Audio Recording

Canon's multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.

Multiple Power Options

The addition of Cinema RAW Light recording at higher resolutions and frame rates demands additional power for full lens functionality. In full-frame 8K60, Super 35 5.9K60, and Super 16 2.9K120 with Cinema RAW Light recording, standard LP-E6NH, LP-E6, or LP-E6N battery packs will not be able to power the electronics of RF lenses or EF lenses attached via an adapter. You can use purely mechanical lenses without issue at these settings.

 

To gain full electronic lens functionality with all Cinema RAW Light resolutions and frame rates, you can use utilize the CA-946 power adapter with the new DR-E6C DC coupler for mains or pro D-Tap battery power sources, or you can use a power bank such as the Anker PowerCode 26800mAh PD or omnicharge Omni Mobile 25600mAh.

13 Full-Featured Assignable Buttons

The EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.

4K and 2K Oversampling

The EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moiré, false colors, "jaggies", and noise.

Up to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit

The EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120p at DCI/UHD 4K resolutions (4096 x 2160/3840 x 2160) in 4:2:2 10-bit without cropping the sensor. Great for shooting scenes full of fast-paced action, the EOS R5 C camera's fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.

Simultaneous Audio Recording Enabled with HFR

Unlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.

Canon Log 3 Expands Expressive Possibilities

The EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log's ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.

Enhanced Image Stabilization

Enhanced image stabilization is achieved through coordinated control when Canon's RF lenses with optical IS are combined with the EOS R5 C camera's electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.

Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow

The EOS R5 C camera is an excellent camera pairing with Canon's RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180° VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe Premiere Pro and Canon's EOS VR Utility are available to streamline the workflow from shooting to editing.

Dual Pixel CMOS AF with iTR AF X

Canon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality. With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen.

  • Touch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way multi-controller on the rear of the camera.
  • The camera features Eye AF/Head Detection AF, developed with the use of deep learning technology to improve subject tracking.
  • It also provides human detection (eyes/face/head), allowing it to track subjects accurately even when AF control is not available.
  • Users can track focusing as desired depending on their subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject's movement.
  • Users can leave focusing to the camera and concentrate on their camera work.

 

 

Still Imaging Features

High Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor & DIGIC X Processor.

Still-imaging features and operation are nearly identical to Canon's EOS R5 camera. The EOS R5 C camera features the same Canon-developed CMOS sensor with approx. 45 effective megapixels, and a DIGIC X Image Processor to enhance the speed of operations across the board. This means fast, efficient performance and phenomenal image quality for big prints, impressive video, and more.

DIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400

Delivering high standard and expanded ISOs (for still images), and a broad range of options to help enhance shooting in varied and fast-changing lighting situations, the EOS R5 C camera can shoot at expanded sensitivities down to ISO 50 (L) and up to 102400 (H).

High-Speed Continuous Shooting

  • High-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter
  • High-speed continuous shooting with full AF subject detection and tracking, at all still-image quality settings
  • A high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses

Same Subject Detection and Tracking AF as the Canon EOS R5

The same subject detection and tracking AF as the Canon EOS R5 Camera, even at shooting speeds as fast as 20 fps.

Head and Eye Detection

Select "People" as the EOS R5 C's "subjects to detect," and like the EOS R5, it can focus on a detected person's eyes, face, head (if a face is obscured), or even entire body if a head cannot be detected.

Animal Detection

For still images, the same revolutionary Animal Detection AF as the EOS R5 can identify and focus upon eyes, faces, or bodies of birds, cats, and dogs, and can do so over virtually the entire image area with many Canon lenses. This opens up game-changing possibilities for wildlife images, even with subjects as challenging as birds in flight.

Vehicle Detection

Carried over from the high-performance Canon EOS R3 camera, the EOS R5 C adds Vehicle Detection AF as a subject detection option, during still-image shooting. Cars and motorcycles, especially in racing applications, can be identified and tracked, even at high speeds. User-selectable Spot Detection lets the R5 C's AF detect the helmets of an exposed rider or driver, and put focus upon them, instead of the leading edge of the vehicle.

AF Area Flexibility

Select the size of the active AF area from a precise single AF point to the entire available AF area and rapidly move a user-selected area via the 8-way multi-controller on the back of the camera. The EOS R5 C has the same range of choices for still-image AF method selection as the EOS R5 camera.

AF Area Coverage of Approx. 100% x 100% for Still Images

The EOS R5 C camera features an expansive focus area of approximately 100% horizontal and 100% vertical when working with select RF and EF lenses, during still-image shooting. With older EF lenses, or with EF Extender types I and II, the EOS R5 C focuses on approx. 80% horizontally and 80% vertically of the image. This means fast and impressive focusing even when composing your subject far from the center of the frame.

EV -6 Low-Light Autofocus

Great for night photography or in very low-light settings, the EOS R5 C camera's brilliant AF can operate for still images in light as dim as a light rating of EV -6 where other AF systems may fail or search. Still-image AF is possible with lens + Canon RF tele extender combinations having maximum effective apertures as slow as f/22 - meaning AF is still possible with the RF 800mm f/11 IS STM + RF 2x Extender.

Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR Lens

Unlock new dimensions in visual storytelling with the RF 5.2mm f/2.8 L Dual Fisheye 3D VR from Canon. Currently compatible with the EOS R5 Mirrorless Digital Camera, this L-series lens is the world's first digital interchangeable lens that can capture stereoscopic 3D 180° VR imagery to a single image sensor. The dual high-performance L-series fisheye lenses combine imagery onto a single image sensor delivering impressive results to a single file. This helps simplify your workflow by eliminating the need to sync and stitch multiple video files. Creators can go from traditional stills or video shooting to stereoscopic 3D capture with a simple lens swap, and the pairing of this lens with the EOS R5 provides for high resolution video recording at up to DCI 8K 30fps and DCI 4K 60 fps. With firmware 1.5.0 or higher and one of Canon's VR software solutions, you can create immersive 3D that can be experienced when viewed on compatible head mount displays including the Oculus Quest 2 and more. Viewers will be able to take in the scene with a vivid, wide field of view by simply moving their heads. Creatives, industry professionals, and newcomers to VR can create an immersive experience, capturing dynamic scenes for entertainment, tourism, training and education, real estate, storytelling, or anywhere you want to bring your audience to.

3D 180° VR Capture

Designed for use with the Canon EOS R5 Mirrorless Digital Camera, this lens gives you the ability to create an immersive 3D experience. When captured imagery is viewed on compatible head mount displays such as the Oculus Quest 2 and more, a viewer can feel like they are a part of the story that you create. With stereoscopic 3D 180° VR, your audience can see life-like depth and can move their head to look around the viewing environment. The lens features a beautifully engineered and optimized folded optical design, with separate left and right optical systems. This enables you to capture stereoscopic 3D imagery with a 180° field of view to a single full-frame image sensor.

VR with Ease

Pairing this one lens to an EOS R5 camera provides you with the ability to deliver a single file. This lets you create a powerful and convenient solution compared to traditional VR systems that capture a 3D scene with two separate fisheye lenses, recorded to two separate cameras, which write two separate files. This saves you time and effort behind the camera and in post-production by helping to solve issues such as multi-camera positioning, multi-lens syncing, image stitching, audio syncing, encoding, and more.

EOS R5 Camera with Updated Firmware (Version 1.5.0 or Later)

To help improve the user experience when shooting with the RF 5.2mm f/2.8 L Dual Fisheye 3D VR lens, special features have been added to the firmware to optimize VR shooting. This firmware provides metadata information for the software to convert the image from fisheye to equirectangular. One of the features enabled with the use of this lens is a Magic Window on-screen overlay, accessed by tapping the INFO button that assists in framing the central resting position, which shows an approximate field of view in the composition. The user can magnify at 6x and 15x magnification and also use MF Peaking while magnified. Additionally, you can swap between the left and right lenses with a simple tap of the INFO button while magnified, which is incredibly useful when manually focusing the lens.

Canon's EOS VR System

Canon's EOS VR System is comprised of this lens plus an EOS R5 camera with updated firmware and subscription-based software, either Canon's EOS VR Utility or EOS VR plug-in for Adobe Premiere Pro, both of which are currently in development. Availability and details to follow on or about early 2022. This powerful and convenient combination provides much desired flexibility and efficiency, helping save you precious time accessing your content so you can prepare it and share it more quickly. With either solution, conversion of fisheye to equirectangular imagery is possible, as well as processing and exporting at various resolutions and formats to help you capture, convert, and process high-quality VR images and movies.

Stereoscopic 3D Imagery

Featuring dual 5.2mm fisheye lenses positioned with 60mm of spacing between left and right lens centers, this lens provides an interpupillary distance closely resembling human vision. This provides for a powerful and immersive experience that brings the viewer to feel as if they are within the scene where the video or stills image takes place. Also, this lets the viewer change their viewing angle within a recorded scene so they can look around with the use of a compatible head mount display.

Dual-Synchronized Electro-Magnetic Diaphragm

Each of the left and right fisheye lenses have their own optical system, including separate but coordinated aperture mechanisms. Together they seamlessly and simultaneously control the exposure of both lenses, so setting your aperture is the same process as with any other RF lenses.

L-Series Lens Elements

Engineered with 12 elements in 10 groups and highlighted by two ultra-low dispersion glass elements and prisms in both the left and right lenses, this lens delivers impressive color and clarity with minimal chromatic aberration.

Subwavelength Structure Coating (SSC)

SWC technology decreases ghosting and reflections that may occur when shooting in more challenging lighting conditions such as during strong backlight, providing versatility and more uniform color balance in the scene.

Manual Focusing

Coordinated manual focusing of both lenses allows you to focus each lens using the manual focus ring. Additionally, a left-right focus adjustment dial lets you refine focus of the right lens separately from the left lens by using the included hexagon wrench.

Large Aperture

Providing a highly adaptable aperture range, the RF 5.2mm f/2.8 L Dual Fisheye 3D VR lens allows you to go from a bright f/2.8 aperture in low light shooting, to a deep depth of field of f/16 for more control of your exposure in brighter environments. Additionally, a gelatin filter holder is located at the rear of the lens allowing optional gel filters to be used similarly to previous ultra-wide-angle Canon lens offerings.

Compact, Lightweight, and Portable

Thanks to the RF mount and the folded optical design, the size and weight of this lens makes it easy to use in tight spaces and easy to carry in a camera bag. The lens weighs under 1 lb and is just slightly over 2" in depth from the rear mount to the front side of the lens, creating a compact, portable, and lightweight solution.

Dust- and Water-Resistant Sealing with Fluorine Coating

Built to L-series lens specifications, the lens features a highly durable RF mount design. With dust- and water-resistant sealing, you can confidently shoot in challenging weather conditions. Fluorine coating is used on the front element to help prevent water, oil, and other surface residue like fingerprints from sticking to the lens, and this also facilitates quick and easy wiping without the use of solvents.

In the Box
  • Canon EOS R5 C Mirrorless Cinema Camera
    • Canon LP-E6NH Lithium-Ion Battery (7.2V, 2130mAh)
    • Canon LC-E6 Charger for LP-E6 and LP-EL Battery Packs
    • Canon IFC-100U Interface Cable (39.4")
    • Cable Protector
    • SS-1200 Shoulder Strap
    • Canon R-F-5 Camera Cover
    • Limited 1-Year Manufacturer Warranty
  • Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR Lens
    • Canon Lens Cap for RF 5.2mm f/2.8L Dual Fisheye 3D VR Lens
    • Canon LS1014 Soft Lens Case
    • Canon Lens Dust Cap RF
    • Hexagon Wrench
    • Limited 1-Year Manufacturer Warranty
More Information
SKU132579
BrandsCanon
MPN5077C017
Product ConditonNew
Specifications

Imaging

Lens Mount

Canon RF

Sensor Resolution

Actual: 47.1 Megapixel Effective: 45 Megapixel (8192 x 5464)

Image Sensor

36 x 24 mm (Full-Frame) CMOS

Sensor Crop (35mm Equivalent)

Crop Factor: 1x Additional Modes: 1.5x/1.6x/3x *Additional Crop Occurs in Select Video Modes

Image Stabilization

Digital

Built-In ND Filter

No

Capture Type

Stills & Video

Exposure Control

Shutter Type

Mechanical Focal Plane Shutter and Electronic Rolling Shutter 

Shutter Speed

Mechanical Shutter 1/8000 to 30 Seconds Electronic Front Curtain Shutter 1/8000 to 30 Seconds Electronic Shutter 1/8000 to 0.5 Seconds

Bulb/Time Mode

Bulb Mode

ISO Sensitivity Range

Photo 100 to 51,200 in Manual Mode (Extended: 50 to 102,400) 100 to 12,800 in Auto Mode (Extended: 100 to 51,200) Video 100 to 51,200 (Extended: 50 to 102,400)

Metering Method

Center-Weighted Average, Evaluative, Partial, Spot

Precise Scan Rate Control

Yes

Exposure Modes

Aperture Priority, Auto, Manual, Program, Shutter Priority

Exposure Compensation

-3 to +3 EV (1/3, 1/2 EV Steps)

Metering Range

-3 to 20 EV

White Balance

2500 to 10,000K Presets: ATW, AWB, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent, Shade, Tungsten

Continuous Shooting

Mechanical Shutter Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG) Electronic Shutter Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG)

Interval Recording

Yes

Self-Timer

2/10-Second Delay

Still Image Capture

Image Sizes

3:2 JPEG / Raw 44.8 MP (8192 x 5464) 22.5 MP (5808 x 3872) 11.6 MP (4176 x 2784) 3.8 MP (2400 x 1600) 4:3 JPEG / Raw 39.8 MP (7280 x 5464) 19.9 MP (5152 x 3872) 10.3 MP (3712 x 2784) 3.4 MP (2112 x 1600) 16:9 JPEG / Raw 37.7 MP (8192 x 4608) 19 MP (5808 x 3264) 9.8 MP (4176 x 2344) 3.2 MP (2400 x 1344) 1:1 JPEG / Raw 29.8 MP (5456 x 5456) 15 MP (3872 x 3872) 7.8 MP (2784 x 2784) 2.6 MP (1600 x 1600)

Aspect Ratio

1:1, 3:2, 4:3, 16:9

Image File Format

C-RAW, HEIF, JPEG, Raw

Bit Depth

14-Bit

Video Capture

Internal Recording Modes

AVC-Intra/AVC-LongG/XF-AVC 4:2:2 10-Bit DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/59.94/100/120 fps [160 to 810 Mb/s] UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [160 to 810 Mb/s] 1920 x 1080p at 23.98/25/29.97/50/59.94/120 fps [50 to 310 Mb/s] 1280 x 720 at 50/59.94 fps [8 to 12 Mb/s] AVC-LongG/MP4 4:2:2 10-Bit DCI 8K (8192 x 4320) at 23.98/24.00/25/29.97 fps [400 to 540 Mb/s] UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [400 to 540 Mb/s] DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100/120 fps [100 to 225 Mb/s] UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/120 fps [100 to 225 Mb/s] DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [35 to 50 Mb/s] 1920 x 1080p at 23.98/25/29.97/50/59.94 fps [35 to 50 Mb/s] 1280 x 720 at 50/59.94 fps [8 to 12 Mb/s] AVC-LongG/MP4 4:2:0 8-Bit DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/120 fps [100 to 225 Mb/s] UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 225 Mb/s] DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [35 to 50 Mb/s] 1920 x 1080p at 23.98/24.00/29.97/50/59.94 fps [35 to 50 Mb/s] 1280 x 720 at 50/59.94 fps [8 to 12 Mb/s] Cinema RAW Light/Raw 12-Bit 8192 x 4320 at 23.98/24.00/25/29.97/50/59.94 fps [1030 to 2570 Mb/s] 5952 x 3140 at 23.98/24.00/29.97/50/59.94 fps [544 to 1360 Mb/s] 2976 x 1570 at 23.98/24.00/25/29.97/50/59.94 fps [138 to 344 Mb/s]

External Recording Modes

4:2:2 10-Bit via HDMI DCI 4K (4096 x 2160) up to 59.94 fps UHD 4K (3840 x 2160) up to 59.94 fps

Fast-/Slow-Motion Support

Yes

Gamma Curve

Canon Log 3, HDR-HLG, HDR-PQ, Rec709, Rec2020

Recording Limit

No

Broadcast Output

NTSC/PAL

IP Streaming

No

Built-In Microphone Type

Mono

Audio Recording

Raw: 4-Channel MP4: 4-Channel

Interface

Media/Memory Card Slot

Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC (UHS-II)

Video I/O

1x Micro-HDMI (Unspecified Signal) Output

Audio I/O

1x 1/8" / 3.5 mm TRS Stereo Mic/Line Input 1x 1/8" / 3.5 mm TRS Stereo Headphone Output

Power I/O

1x USB-C (9VDC at 3 A) Input

Other I/O

1x USB-C (USB 3.2 / 3.1 Gen 2) (Shared with Power Input) 1x BNC (Timecode) Input/Output

Wireless

2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 Control

Mobile App Compatible

Yes: Android & iOS App Name: Canon Camera Connect Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed

Global Positioning (GPS, GLONASS, etc.)

GPS *Adapter Required or Via Connected Smartphone

Monitor

Display Size

3.2"

Resolution

2,100,000 Dot

Display Type

Free-Angle Tilting Touchscreen LCD

Viewfinder

Type

Built-In Electronic (OLED)

Size

0.5"

Resolution

5,790,000 Dot

Eye Point

23 mm

Coverage

100%

Magnification

Approx. 0.76x

Diopter Adjustment

-4 to +2

Focus

Focus Type

Auto and Manual Focus

Focus Mode

Continuous-Servo AF, Manual Focus, Single-Servo AF

Autofocus Points

Phase Detection: 1053

Autofocus Sensitivity

-6 to +20 EV

Flash

Built-In Flash/Light

No

Maximum Sync Speed

1/250 Second

Flash Compensation

-3 to +3 EV (1/3, 1/2 EV Steps)

Dedicated Flash System

eTTL

External Flash Connection

Shoe Mount

Environmental

Operating Temperature

32 to 104°F / 0 to 40°C

Operating Humidity

0 to 85%

General

Battery Type

1x LP-E6NH Rechargeable Lithium-Ion, 7.2 VDC, 2130 mAh (Approx. 220 Shots) or 1x /LP-E6N Rechargeable Lithium-Ion or 1x LP-E6 Rechargeable Lithium-Ion

Shoe Mount

1x Hot Shoe

Tripod Mounting Thread

1x 1/4"-20 Female (Bottom)

Dimensions (W x H x D)

5.6 x 4 x 4.4" / 142.2 x 101.6 x 111.8 mm

Weight

1.7 lb / 770 g (With Battery, Recording Media) 1.5 lb / 680 g (Body Only)

Packaging Info

Package Weight

3.205 lb

Box Dimensions (LxWxH)

9.5 x 7.9 x 7.9"

Canon RF 5.2mm F/2.8 L Dual Fisheye 3D VR Lens Specs

Key Specs

Focal Length

5.2mm

Maximum Aperture

f/2.8

Lens Mount

Canon RF

Lens Format Coverage

Full-Frame

Focus Type

Manual Focus

Image Stabilization

No

Filter Size

Gel Filter (Rear)

Maximum Aperture

f/2.8

Minimum Aperture

f/16

Lens Mount

Canon RF

Lens Format Coverage

Full-Frame

Angle of View

190°

Minimum Focus Distance

7.9" / 200.7 mm

Maximum Magnification

0.03x

Optical Design

12 Elements in 10 Groups

Diaphragm Blades

7

Focus Type

Manual Focus

Image Stabilization

No

Filter Size

Gel Filter (Rear)

Dimensions (ø x L)

4.8 x 2.1" / 12.2 x 5.3 cm

Weight

12.4 oz / 352 g

Packaging Info

Package Weight

1.62 lb

Box Dimensions (LxWxH)

8.6 x 6.8 x 6"

WARNING: This product may expose you to chemicals which are known to the State of California to cause cancer. For more information go to www.P65Warnings.ca.gov
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