RED EPIC-W 8K Standard Camera - Body Only

29500
  • Filmtools #: 54272
  • Mfr #: 710-0263-STD
Availability
Product Features
  • HELIUM 35.4 Megapixel CMOS
  • 8K 2.4:1 resolution up to 30 fps
  • 16.5+ stops of dynamic range
  • 275 MB/s data speeds
  • REDCODE RAW + Apple ProRes or Avid DNxHR/HD

Availability: In stock

You Pay: $29,500.00
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  • Overview

    The RED EPIC-W 8K Standard Camera - Body Only is powered by the HELIUM 8K S35 sensor and is capable of shooting 8K Full Format at up to 30 frames per second.

    At full 8K resolution EPIC-W captures 35.4 Megapixels images—delivering more detail and creative possibilities in every frame. With HELIUM sensor advancements, EPIC-W boasts improved low-light sensitivity and impressive dynamic range. Leveraging lightning fast data rates up to 275 MB/s, EPIC-W can record REDCODE RAW, as well as proxy 4K Apple ProRes or Avid DNxHR—simultaneously.

    Joining the DSMC2 lineup, EPIC-W benefits from the advanced modularity of the RED ecosystem and offers cable-free peripherals, an integrated mounting plate, wireless control, and compatibility with a growing supply of modules and accessories. Also featuring interchangeable OLPFs and lens mounts, EPIC-W provides an all new perspective with full sensor coverage and support for your arsenal of S35 glass.

  • Specs
    SENSOR TYPE HELIUM 35.4 Megapixel CMOS
    EFFECTIVE PIXELS 8192 × 4320
    SENSOR SIZE 29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
    DYNAMIC RANGE 16.5+ stops
    SIGNAL-TO-NOISE-RATIO 80 dB
    MAX DATA RATES Up to 275 MB/s using RED MINI-MAG (512GB & 1TB); Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
    MAX FRAME RATES 30 fps at 8K Full Frame (8192 × 4320), 30 fps at 8K 2.4:1 (8192 × 3456)
    30 fps at 7K Full Frame (7168 × 3780), 40 fps at 7K 2.4:1 (7168 × 3024)
    75 fps at 6K Full Frame (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
    96 fps at 5K Full Frame (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
    120 fps at 4K Full Frame (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
    150 fps at 3K Full Frame (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
    240 fps at 2K Full Frame (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
    PLAYBACK FRAME RATES (PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
    REDCODE SETTINGS (RANGE FROM 2:1 UP TO 22:1) 6:1 REDCODE for 8K Full Frame (8192 × 4320) at 24 fps
    7:1 REDCODE for 8K Full Frame (8192 × 4320) at 30 fps
    2:1 REDCODE for 4K Full Frame (4096 × 2160) at 24 fps
    4:1 REDCODE for 4K Full Frame (4096 × 2160) at 60 fps
    REDCODE RAW (ACQUISITION FORMATS) 8K Full Frame (8192 × 4320), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
    7K Full Frame (7168 × 3780), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    6K Full Frame (6144 × 3240), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
    5K Full Frame (5120 × 2700), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    4K Full Frame (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    3K Full Frame (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    2K Full Frame (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    APPLE PRORES 422 HQ, 422 and 422 LT at 4K (4096 × 2160) up to 29.97 fps
    4444 XQ and 4444 at 2K (2048 × 1080) up to 120 fps
    422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 120 fps
    AVID CODECS DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
    DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
    DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
    DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
    DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
    AVID CODECS DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
    DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
    DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
    DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
    DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
    CONSTRUCTION Magnesium and Aluminum Alloy
    WEIGHT 3.35 lbs (BRAIN with Integrated Media Bay)
    OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
    STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)
    RELATIVE HUMIDITY 0% to 85% non-condensing
    COLOR MANAGEMENT Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
    Variable number of 3D LUT outputs with DSMC2 expander module; User programmable shaper 1D LUTs
    Tetrahedral interpolation, 16-bit processing
    AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
    Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
    REMOTE CONTROL Integrated REDLINK WiFi antenna
    Ethernet, RS232, and GPI Trigger with DSMC2 expander module
    MONITOR OUTPUTS 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
    1080p RGB or 4:2:2, 720p RGB or 4:2:2; 480p RGB or 4:2:2 (HDMI only)
    SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
    MONITOR OPTIONS DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection
    RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable
    REDCINE-X PRO (DELIVERY FORMATS) 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
    2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
    1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF; 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
    VIDEO EDITING SOFTWARE (COMPATIBILITY) Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
  • In The Box
    • RED EPIC-W BRAIN with HELIUM 8K S35 Sensor
    • DSMC Front Body Cap
    • DSMC2 OLPF w/ case
    • DSMC AC Power Adaptor
    • 1-Year Standard Warranty
    • EPIC-W BRAIN Case

The RED EPIC-W 8K Standard Camera - Body Only is powered by the HELIUM 8K S35 sensor and is capable of shooting 8K Full Format at up to 30 frames per second.

At full 8K resolution EPIC-W captures 35.4 Megapixels images—delivering more detail and creative possibilities in every frame. With HELIUM sensor advancements, EPIC-W boasts improved low-light sensitivity and impressive dynamic range. Leveraging lightning fast data rates up to 275 MB/s, EPIC-W can record REDCODE RAW, as well as proxy 4K Apple ProRes or Avid DNxHR—simultaneously.

Joining the DSMC2 lineup, EPIC-W benefits from the advanced modularity of the RED ecosystem and offers cable-free peripherals, an integrated mounting plate, wireless control, and compatibility with a growing supply of modules and accessories. Also featuring interchangeable OLPFs and lens mounts, EPIC-W provides an all new perspective with full sensor coverage and support for your arsenal of S35 glass.