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Canon EOS C500 Mark II

Questions about this product?
  • 5.9K Full Frame CMOS Sensor
  • User Changeable Lens Mounts 
  • Newly developed DIGIC DV 7 Image Processor
  • Canon RAW Light and XF-AVC Recording
  • Proxy Recording
  • Compatibility with EF and PL Lenses
  • Anamorphic Lens Support

The Canon EOS C500 Mark II offers impressive usability and imaging power in a customizable full frame cinema camera built for creative freedom. The camera's lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. The newly developed DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as 5.9K recording, internal recording of Canon Cinema Raw Light and Dual Pixel Autofocus.

The Cinema EOS C500 Mark II is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. Three expansion units and user changeable lens mounts enable operators to build their ideal cinema system.


  • 5.9K Full Frame CMOS Sensor, with support for Super 35mm and Super 16mm crop modes
  • User Changeable Lens Mounts which gives users freedom to use the lenses they desire
  • Newly developed DIGIC DV 7 Image Processor, which powerfully processes high-resolution image data
  • Canon RAW Light and XF-AVC Recording
  • Proxy Recording
  • Compatibility with EF and PL* Lenses
  • Anamorphic Lens Support
  • Electronic Image Stabilization
  • Modular Design with three available Expansion Units allows a high level of connectivity and interoperability
  • 4.3” LCD Touch screen Monitor LM-V2
  • Dual Pixel CMOS AF with support for Touch AF and Face Detection AF
  • Canon Log 2 and 3 Support
  • 4 Channel Audio Recording
  • Support for Custom User LUTs

*Dependent on the mount the user has in place

5.9K Full Frame CMOS Sensor, with support for Super 35mm and Super 16mm crop modes

The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. The sensor’s expansive native Cinema Gamut goes beyond that of current standards, including ITU-R BT.2020 and DCI-P3, helping the EOS C500 Mark II achieve more natural skin tones and allowing for greater freedom in color grading in both SDR and HDR productions.

The Full Frame sensor is capable of capturing footage in a wide variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. The Cinema EOS C500 sensor supports both anamorphic and spherical lenses. In addition to full-frame, the sensor can also be paired with conventional Super 35mm and Super 16mm lenses using appropriate sensor crop modes, lens mount and adapter.

User Changeable Lens Mounts which gives users freedom to use the lenses they desire

User interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter.

The EOS C500 Mark II ships with an EF Mount that can be user swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.

*Dependent on the mount the user has in place

Newly developed DIGIC DV 7 Image Processor, which powerfully processes high-resolution image data

The EOS C500 Mark II uses a newly developed DiG!C DV 7 Image Processor that takes the extensive RAW information captured from the 5.9K imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Pixel Auto Focus, Canon Raw Light Recording, HDR(PQ and HLG) output, electronic image stabilization, proxy recording and oversampling 5.9K processing

Canon Cinema RAW Light and XF-AVC Recording

Thanks to the powerful DIGIC DV 7 image processing platform, the EOS C500 Mark II can record Cinema RAW Light directly to onboard CFexpress cards, which keeps the data-rich signal captured by the 5.9K full-frame sensor intact. Cinema RAW Light offers plenty of freedom for grading in file sizes that are about 1/3 to 1/5 the size of Cinema RAW, offering a great combination in terms of codec efficiency and quality.

When recording in 5.9K Cinema RAW Light, 60 fps is available, which is an ideal range of high-quality slow-motion capture for typical human movements. In 2K (Crop) mode frame rates up to 120fps are available allowing users to slow down the action even further, for more dramatic scenes and special effects. Two new buttons S&F(Slow and Fast Motion) and S&F FPS (Slow and Fast Motion – Frames per Second) have been added to give quick access to desired speed settings, making it simple to utilize this creative tool quickly and spontaneously when the moment is right.

Proxy Recording

Higher resolution, greater bit depths and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing lower bandwidth alternative for the initial file sharing and edits.

Canon’s powerful, high-speed DIGIC DV 7 image processor makes it possible for the EOS C500 Mark II to simultaneously record 2K Proxy files. Cinema RAW Light (5.9K, 4K Crop, or 2K (Crop)) can be recorded to the internal CFexpress card while an XF-AVC 2K 4:2:0 8-bit Proxy can be recorded directly to an internal SD card.

Compatibility with EF and PL Lenses

With optional mount kits, users can swap from EF to Locking EF-C or PL mounts on their own. PL lenses are a cinema legacy. With a wide breath of options available to cinematographers choosing a lens is an important part of the creative process. The EOS C500 Mark II’s interchangeability now makes it possible to take any PL lens and pair it with Canon’s state-of-the-art sensor to meet the needs of any project.

Using Canon’s EF still lenses offer remarkable new possibilities for cinematographers including the use of specialty lenses like the fisheye zoom, tilt-shift and super-telephotos.

The amount of viable lens options can be further increased through an optional B4 lens mount adapter. This adapter is available for the PL or EF mount allowing 2/3” lensing options to be used with the camera.

Electronic Image Stabilization

The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic.

Modular Design with three available Expansion Units to give a high level of connectivity and interoperability

A new modular design allows productions to optimize and customize the EOS C500 Mark II to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories and rangefinder as it is stripped down flying on a drone

4 Channel Audio Recording

With Expansion Unit EU-V2, the EOS C500 Mark II supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. This flexibility allows a wide range of audio devices to be connected and mixed directly on the camera

In the Box
  • EOS C500 Mark II BODY
  • Measure Hook
  • Camera Grip GR-V1
  • Stopper
  • Thumbrest
  • Microphone Holder Unit
  • LCD Monitor LM-V2
  • LCD Attachment Unit LA-V2
  • Handle Unit
  • Hex Wrench 3/16 E
  • Hex Wrench M4
  • Hex Wrench M3
  • Hex Socket Head Bolt (1/4 inch)
  • Hex Socket Head Bolt (M3)
  • Bolt Stopper
  • SS-1200 Shoulder Strap
  • Battery Charger CG-A20
  • Compact Power Adapter CA-CP200 B
  • AC Cable US
  • Power Cord US
  • BP-A60 JP Battery Pack
  • Extension Unit Attachment Bracket
  • UN-5 Unit Cable
  • CFexpress Card Reader
  • 512GB CFexpress Card
More From Canon
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More Information
SKU 104396
Brands Canon
MPN 3794C007
UPC 660685205796


Full-frame / Super 35mm (crop) / Super 16mm (crop)

CMOS Sensor with DAF Technology

Total Pixels

Approx. 20.8 Megapixels (6062 x 3432)

Number of Effective Pixels

Approx. 18.69 Megapixels (5952 x 3140)

When 4096 x 2160 or 2048 x 1080 is selected as the resolution

Approx. 17.52 Megapixels (5580 x 3140)

When 3840 x 2160 or 1920 x 1080 is selected as the resolution

Lens Mount

Lens Mount

EF models: Canon EF mount

EF lens group supported (including EF-S lenses), EF cinema lens group supported


Exposure Modes

(1) Manual exposure based on shutter setting, iris setting, ISO/gain setting and ND filter setting

(2) Push auto iris control, auto iris control

(Light metering system selection, shift possible)

Shutter Setting

Speed, Angle, Clear Scan, Slow or Off mode selected

Either 1/3 or 1/4 steps selected as speed increment

Iris Setting

Can be set to 1/2-stop, 1/3-stop or Fine

(1) Push auto iris control

(2) Auto iris control

Lenses that support Auto Iris:

EF Lenses

EF-S 10–18mm f/4.5–5.6 IS STM EF-S 18–55mm f/3.5–5.6 IS STM EF-S 18–135mm f/3.5–5.6 IS STM EF-S 55–250mm f/4–5.6 IS STM EF 24–105mm f/3.5–5.6 IS STM

EF-S 18–135mm f/3.5–5.6 IS USM


EF-S 18–55mm f/4–5.6 IS STM EF 70–300mm f/4–5.6 IS II USM

EF-S 35mm f/2.8 Macro IS STM EF 85mm f/1.4L IS USM


CN7x17 KAS S/P1

CN20x50 IAS H/E1

CN20x50 IAS H/P1


CN-E 18–80mm T4.4 L IS KAS S

CN-E 70–200mm T4.4L IS KAS S

ENG Broadcast Lenses

2/3 mount lenses which allow for 12-pin communication using a B4 mount. The optional MO-4E or MO-4P B4 Adapter is required.

HJ14ex4.3B IASE S HJ18ex7.6B IASE S HJ24ex7.5B IASE S HJ17ex7.6B IASE S HJ22ex7.6B IASE S CJ45ex9.7B IASE-V H CJ45ex13.6B IASE-V H CJ24ex7.5B IASE S CJ14ex4.3B IASE S

CJ18ex7.6B IASE S



1 step, 1/3 step settings: 100* – 160 – 25600 – 102400*


* When the sensitivity is expanded

ND Filter

5 density settings (2, 4, 6, 8*, 10* stops)

* When expansion is selected

Motorized drive

Focus Control/Assist

Focus Control

Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF- Boosted MF, Face Detection AF*

* Only lenses that support AF functions can be used in these modes

Focus Guide

Available; displays focus status or unfocused status using the AF signal. It is

useful while MF or One-Shot AF is not being performed.

LCD Monitor

LCD Monitor

LM-V2 LCD Monitor

White Balance

White Balance

AWB, Kelvin setting (setting range: 2000K—15000K), Daylight, Tungsten,

Set (A/B)

System Frequency Selection

Frame Rates

59.94 Hz mode: 59.94i/59.94P/29.97P/23.98P

50.00 Hz mode: 50.00i/50.00P/25.00P

24.00 Hz mode: 24.00P

Recording Media

CFexpress™ Cards (2 slots)

Recording of movies (Cinema RAW Light/XF-AVC), custom pictures, metadata 

SD Card

Recording of movies (XF-AVC (proxy)), photos (JPEG), custom pictures,

metadata, menus and other data

Compression Formats


(1) XF-AVC: MPEG-4 AVC/H.264

(2) RAW: Cinema RAW Light


Linear PCM (24 bit - 48kHz; 4-channel recording)

XF-AVC (CFexpress™ cards)


Resolution/Color Sampling

4096 x 2160 / YCC422 10 bit

3840 x 2160 / YCC422 10 bit


2048 x 1080 / YCC422 10 bit

1920 x 1080 / YCC422 10 bit

Bit Rate

810/410/310/160 Mbps Intra-frame

XF-AVC (SD card)

Resolution/Color Sampling

2048 x 1080 / YCC420 8 bit

Bit Rate

35/24 Mbps Long GOP

Cinema RAW Light (CFexpress™ cards)

Bit Depth

12/10 bit


5952 x 3140


4096 x 2160 (cropped)


2048 x 1080 (cropped)

Time Code


Drop frame* or non-drop frame

* Only in 59.94 Hz mode

Operation Mode

Rec Run, Free Run, Regeneration


Canon Log 3, Canon Log 2, Canon Log, Wide DR,

Normal 1, HDR-PQ, HDR-HLG


Color Space

Cinema Gamut, BT.2020 Gamut, DCI-P3 Gamut, BT.709 Gamut


BT.709/BT.2020/DCI/ACESproxy/HDR-ST2084 etc.

Other Features

Other Features

Slow & Fast motion recording, pre-recording, relay recording, double slot recording, custom picture settings, color bar, peaking display, zebra display, My Menu settings, waveform monitor display, assignable buttons, key lock, marker display, enlarged display, custom display, control via browser remote, peripheral illumination correction, diffraction correction, built-in monaural

microphone, fan control, geotagging and other functions


Playback Operations

Normal playback, fast forward (at speeds of 5x), fast reverse (at speeds of 5x),

frame forward, frame reverse, forward skip, reverse skip, rec review

Clip Display

3 x 4 (clip) index display

(RAW, XF-AVC, XF-AVC proxy, photo index)

Clip Information Display

Clip metadata display, custom pictures data display


Clip deletion





MIC jack, INPUT terminal (1/2)*, REMOTE terminal (A), USB

* Digital input (AES/EBU standards) supported


HDMI, headphone jack, MON. terminal, SDI OUT terminal*, VIDEO terminal


* 12G-SDI supported

Input/Output Control

TIME CODE terminal, Expansion System terminal, Expansion Unit connector*

* For the EVF-V50, EU-V1 or EU-V2 Expansion Units

Power Supply

Power Supply

DC IN 12V jack (DC 11.5V–20V), Battery terminal (DC 14.4V), DC 12–20V*

* When using a V-mount battery with the EU-V2 Expansion Unit

Image Processing Platform

Image Processing Platform

DIGIC DV 7 Image Processor

Related Accessories

Related Accessories

Battery Pack BP-A30/BP-A60 (provided with camera) Battery Charger CG-A10/CG-A20 (provided with camera) Remote Controller RC-V100

Compact Power Adapter CA-CP200B (provided with camera) Shoulder Strap SS-1200 (provided with camera)

Tripod base TB-1

Wireless Transmitter

GPS Receiver GP-E2

Unit Cable UN-5 (provided with camera)/UN-10 (sold separately) Canon OLED Electronic View Finder EVF-V50/EVF-V70

Extension unit 1: EU-V1 Extension unit 2: EU-V2

EF Cinema Lock Mount Kit CM-V1 PL Mount Kit PM-V1

B4 Mount Adapter MO-4E/MO-4P LCD Monitor LM-V2 (included)/LM-V1

LCD Attachment Unit LA-V2 (included)/LA-V1 Camera Grip GR-V1 (included)

Shoulder Support Unit SU-15 Shoulder Style Grip Unit SG-1 Clamp Base CL-V2

Rod Clamp RD-1 Handle Unit HDU-2

8-pin Remote Cable RR-10/RR-100

Canon EF/EF cinema lens group, Canon PL cinema lens group and accessories


designed for these lenses

Third-party Products

Third-party Products

IDX V-Mount battery*

* When the EU-V2 Expansion Unit is attached

IP Streaming

IP Streaming

Streams video to decoder transmission device or computer over the network

Compression Method

MPEG-4 AVC/H.264 8 bit

Bit Rates

9 Mbps/4 Mbps (1920 x 1080)

Frame Rates




Audio Rate

256 KBbps

Transfer Media





(1) UDP: Prioritizes transfer speed, with no guarantees of reliability or correct order. Lost or lagging packets ignored.

(2) RTP: Standard system for sending videos and audio online. Lost or lagging packets ignored.

(3) RTP+FEC: Error correction (FEC) control during RTP transfer enables recovery of lost or corrupt packets on the receiving side.

(4) RTSP+RTP: Real-time data streaming control via RTSP (Real Time Streaming

Protocol) and transfer via RTP. The receiving side can start or stop streaming.


Enabled in XF-AVC mode

Error Correction



Wi-Fi® Specifications



Follows the specifications of WFT

Wi-Fi® Setup Methods

(1) WPS [Wi-Fi® Protected Setup] (push-button system, PIN code system)

(2) Manual Setup

(3) Search for Access Points

Authentication Systems

Open system, WPA-PSK, WPA2-PSK

Encryption Systems

WEP-64, WEP-128, TKIP, AES

IP Address Settings

Auto (automatic switching between DHCP and AutoIP), Manual

Weight and Dimensions (body only)

Dimensions (W x H x D)

Approx. 6.0 x 5.8 x 6.6 in. (153 x 148 x 168mm)


Approx. 3.8 lb. (1750g)


Customer Reviews
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